![Red Giant Red Giant](https://i.ytimg.com/vi/cKar83oHQRI/maxresdefault.jpg)
When angles are added for syncing, their waveforms are drawn in the timeline area. It’s not a place to do any editing but rather a place to visualize all your camera angles and audio tracks. The most noticeable feature in the new PluralEyes 3 interface is definitely the large timeline window.
![Red Giant Red Giant](https://www.digitalmediaworld.tv/images/stories/Feb-16/2/Red-giant-PluralEyes_4_Track.jpg)
And think of PluralEyes 3 as the perfect tool for that step. Think of syncing as an entirely separate step in the post-production process. You don’t even have to open your favorite NLE before going to work syncing camera angles. Where early versions were just a small import/export window (all setup was done in the non-linear editor), PluralEyes 3 is a one-stop-shop for all syncing. If you don’t know anything about PluralEyes 3, you should first know that it differs greatly from previous versions. And even version 3 has now seen a few updates (the program is now at v3.1.1) that added some great functionality. The product saw a big upgrade with version 3. Automatically syncing multiple cameras and audio tracks, it might be one of the single most useful technologies to ever come along in post-production. If you follow post-production news at all, then you’re probably aware of (and may have even tried out) Red Giant's PluralEyes 3. A Top-Notch Sync Tool Gets Even Better with a New Music Video Workflow